THESE DAYS

One Belfast family’s experience of the intense bombing raids of World War II becomes a lens through which to witness the whole city’s trauma and grief.

Philip Bell, a doctor, and his wife, Florence, live a comfortable middle-class existence in the Northern Ireland capital with their two adult daughters, Emma and Audrey, and younger son, Paul. But in the spring of 1941, they, like so many, endured the Belfast Blitz, a sequence of intensely destructive German bombing attacks that included, on one single night, the dropping of 100,000 incendiary devices. Caldwell uses the Bells’ joint and individual perspectives to depict many facets of these events. Audrey, newly engaged to Richard Graham, helps a 6-year-old child reunite with her family. Emma, a First Aid volunteer, survives a close impact but also suffers a terrible loss. Philip is fundamentally shaken by what he witnesses at the hospital. And later, among scenes of tremendous destruction, with uncounted numbers missing and presumed dead, Florence realizes Paul must be evacuated out of the city for his own safety. Around them, Caldwell introduces a lesser population of associated characters, widening the story’s scope to include black market smugglers, children, co-workers, and more. There’s a documentary quality to this broad, fact-driven panorama which lends detail and texture, although it also slows the storytelling. Emma (“kind, stubborn, awkward”), Audrey (“flighty, impulsive, earnest”), and Florence—haunted by a long-lost love—emerge most strongly, their differing perspectives lending emotional depth. The figures around them often seem less fully imagined. Similarly, Caldwell creates some moments of piercing self-knowledge or realization for her characters in contrast with other, more predictable scenes. But overall, her efforts to capture the literally earth-shaking experience of such a violent and terrifying overthrow of normality are effective, affecting, and achieved with sincerity.

A hardworking elegy for a city’s devastation.